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Peter Murray


This year the London Society has arranged a series of members-only visits to see behind the scenes at some of the capital’s most innovative architectural, design and engineering practices, and to hear the principals talk about the history and the vision of their businesses.

Last month we were the guests of Bob Allies of Allies and Morrison. Barry Coidan reports.

It’s not often you win an architectural competition by having no kids in the drawing, but Bob Allies believes that was why he and Graham Morrison won the open competition to design a new public landscape at the Mound in Edinburgh in 1983. They began working together in the evenings but after this success they formed the partnership the following year.

The design was deliberately austere – not to detract from the landscape of the site and the two public building that dominate it. The design used local sandstone – traditional material in a traditional way. Only fragments of the original scheme now remain.

By the 1990s, the UK was in the midst of a serious economic recession, yet plans for a new Embassy in Dublin went ahead despite government cut backs. Winning the design competition for the Embassy was Allies and Morrison (A&M)’s big break. The design was presented as a hand line drawing – before computer assisted design – an approach which the practice became known for, along with scale models which are an important means the practice uses to communicate its design ideas. An early example of which was the model for the new Abbey Mills Pumping station in east London. The original pump house was designed by Joseph Bazalgette in the 1860s. These public commissions got the practice going, allowing it to weather the 1990’s recession.

Following these early successes, Bob then gave us a taste of some of the work Allies and Morrison has carried out over the years.

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Peter Murray


New for 2018 is “How We Work” a series of informal evenings that will take members* into various of the capital’s exciting architectural, engineering and design studios. The evening will look at each studio’s past, present and future and one of the principals will share the practice’s vision, and outline their most significant projects.

During the year we hope to visit Allies + Morrison, Alan Baxter, Lifschutz Davison Sandilands and Make (details to be announced shortly), and the first of the events will be with Studio Egret West on 26 February. You can find out more about this and book tickets here.

How We Work” is for London Society members only, so if you would like to come along you will need to join or renew your membership. You can join the Society here – Professional Members can get two tickets for their company, Corporate Supporters can request up to five free tickets for each event.

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